



b. 216-217
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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The slur over the pair of octaves is overlooked in FE1. The mistake was corrected already in FE2. category imprint: Differences between sources issues: Errors in FE , FE revisions |
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b. 216
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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In the main text we add a cautionary category imprint: Editorial revisions issues: Cautionary accidentals |
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b. 216
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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The absence of c1 in GE in the last crotchet is most probably the oversight by the engraver, influenced by similar figures in the preceding bars. category imprint: Differences between sources issues: Errors in GE |
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b. 216-217
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composition: Op. 21, Concerto in F minor, Mvt I
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The slur of A is written inaccurately – its ending part includes a one and a half centimetre gap, resulting from ink stoppage, whereas in bar 217 (on a new page) there is no ending of the slur. In this situation, an erroneous interpretation of the slur in the editions was practically decided. In some of the impressions of GE1a, the slur in bar 216 was extended, so that it suggests a continuation. It seems to be a random result, since the ending of the slur in bar 217 was not added. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccurate slurs in A |
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b. 216
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composition: Op. 21, Concerto in F minor, Mvt I
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The last three semiquavers in A (→GE1→FE) are devoid of accidentals. This inaccurate notation, characteristic for Chopin particularly in his early pieces, was corrected in EE and GE2. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Accidentals in different octaves , GE revisions , Cautionary accidentals |