



b. 217-220
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composition: Op. 44, Polonaise in F♯ minor
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The traces of the changes introduced in print reveal that, initially, the version printed in FE was the same as in GE. While proofreading FE1, Chopin changed it to a version that is actually analogous to b. 197-200, yet without a tie to f category imprint: Differences between sources issues: Authentic corrections of FE |
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b. 217-218
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composition: Op. 44, Polonaise in F♯ minor
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The partial lack of pedal markings in FE (→EE) must have resulted from an oversight, by the engraver or the copyist, or perhaps by Chopin himself if FE were based on the second autograph. category imprint: Differences between sources issues: Errors in FE , No pedal release mark |
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b. 217-218
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composition: Op. 23, Ballade in G minor
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The missing pedal markings at the end of b. 217 and in b. 218 in A must be Chopin's inadvertence, since it is the end of a line in A, which is conducive to oversights – after a moment of distraction, the composer resumed writing indications from a new line. category imprint: Differences between sources issues: Authentic corrections of FE , No pedal release mark , Inaccuracies in A |
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b. 217-218
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composition: Op. 23, Ballade in G minor
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In the main text we reproduce the coinciding slurs of A (→FE→EE). However, it seems likely that the end of the slur in b. 217 was written down inaccurately, since many slurs of A are written down with a flourish; what is more, their endings often go far beyond their intended end point. Therefore, the version of GE may be considered an equal variant. There is a similar situation upon repetition of this phrase in b. 225-226. category imprint: Differences between sources; Editorial revisions issues: Inaccurate slurs in A , GE revisions |
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b. 217-219
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composition: Op. 23, Ballade in G minor
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In A (→FE) there are no sharps raising f2(3) to f category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Inaccuracies in A , Errors repeated in FE |