b. 277-278
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composition: Op. 11, Concerto in E minor, Mvt I
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According to us, leaving c4 without articulation markings is an inaccuracy, even if it corresponds to the notation of [A]. In the main text, we suggest extending the slur from the previous bar, in accordance with the rhythmic shape of the figuration. category imprint: Editorial revisions |
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b. 277
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composition: Op. 11, Concerto in E minor, Mvt III
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The missing staccato mark is most probably an inaccuracy. It is indicated by the wedge in the analogous situation in bar 273 as well as by the wedge on e in the L.H. The mark was added in GE3. category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 277
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composition: Op. 44, Polonaise in F♯ minor
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In the main text we include the c notes, added in the four quaver chords at the stage of proofreading of FE (→EE), almost certainly by Chopin. category imprint: Differences between sources issues: Authentic corrections of FE |
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b. 277
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composition: Op. 44, Polonaise in F♯ minor
category imprint: Differences between sources issues: Tenuto slurs |
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b. 277-279
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composition: Op. 44, Polonaise in F♯ minor
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The trills in b. 277 and 279 are written down in GE without a wavy line after the mark. In the main text we follow the more suggestive version of notation of FE (→EE). category imprint: Differences between sources |