Page: 
Source: 
p. 3, b. 35-48
p. 1, b. 1-16
p. 2, b. 17-34
p. 3, b. 35-48
p. 4, b. 49-64
p. 5, b. 65-82
p. 6, b. 83-97
p. 7, b. 98-112
p. 8, b. 113-126
p. 9, b. 127-157
p. 10, b. 158-185
p. 11, b. 186-214
p. 12, b. 215-243
p. 13, b. 244-267
p. 14, b. 268-281
p. 15, b. 282-295
p. 16, b. 296-309
p. 17, b. 310-326
Main text
Main text
GE - German edition
GE1 - First German edition
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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Graphic ambiguousness
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Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
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Pedalling
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GE - German edition
GE1 - First German edition
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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  b. 44

Slur to minim in GE

Slur to end of bar in FE (→EE)

In the main text we give a slur/tenuto (typical of Chopin) after FE. The shorter slur of GE may be authentic; however, it cannot be ruled out that it was adjusted to the notes on the top stave by the engraver (i.e. shortened). The same applies to b. 277.

Compare the passage in the sources »

category imprint: Differences between sources

issues: Tenuto slurs

notation: Slurs

Missing markers on sources: GE1, GE2, FE1, FE2, EE1, EE2, EE3, FES