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b. 276-278
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composition: Op. 21, Concerto in F minor, Mvt I
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In A bar 277 is the last one on the page and it does not contain phrase marks. In turn, in bar 278 there is a slur suggesting a continuation from the previous bar. Therefore, it seems that Chopin forgot to write the initial part of the slur, most probably of the one with which he embraced that phrase in bars 128-130. This is the slur we suggest in the main text. In GE, next to the slur in bar 278, roughly reproduced, a slur of a similar range was added also in bar 277. If the implemented proofreading had been inspired by Chopin, which cannot be excluded, it would be a correction of an ad hoc nature rather than an intended variation of phrasing. category imprint: Graphic ambiguousness; Interpretations within context; Differences between sources issues: Inaccurate slurs in A , EE inaccuracies , Authentic corrections of GE |
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b. 276
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composition: Op. 21, Concerto in F minor, Mvt I
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A line pointing down next to ledger lines (most of the time the first bottom one, i.e. c1 or E – see e.g. the last E category imprint: Graphic ambiguousness; Differences between sources issues: Authentic corrections of FE , Uncertain notes on ledger lines |
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b. 276
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composition: Op. 11, Concerto in E minor, Mvt I
category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FEH |
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b. 276
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composition: Op. 44, Polonaise in F♯ minor
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Similarly as in bar 43, splitting the first chord into two parts – this time the upper crotchet comprises the a1-c category imprint: Differences between sources issues: GE revisions |
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b. 276
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composition: Op. 44, Polonaise in F♯ minor
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Like in analogous b. 43 and 69, in the main text we include the arpeggio marked in GE. category imprint: Differences between sources |
in bar 280), sometimes appearing in Chopin's autographs, misled here the engraver of 
2 in 
in 