



b. 201
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composition: Op. 12, Variations in B♭ major
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According to us, it is quite likely that the 1st L.H. quaver was being corrected in this bar in FE. The beam, placed too high, suggests that initially there was just one note, g, while the e category imprint: Editorial revisions issues: Errors in FE , Terzverschreibung error , Authentic corrections of FE , Partial corrections |
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b. 202-203
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composition: Op. 39, Scherzo in C♯ minor
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Lacking in EE is the tie sustaining a flat1, which is probably the engraver's oversight. category imprint: Differences between sources issues: Errors in EE |
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b. 202-204
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composition: Op. 38, Ballade in F major
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The ending of the Ballade has a few versions proving Chopin's hesitations. We present them below in a chronological order:
As it can be seen, Chopin had two main concepts of the Ballade's endings, "open" and "close." According to us, it is the version No. 1 that presents the first of them in the most thoughtful manner, while in the case of the latter it is the version No. 4. In the main text we give the version No. 1, enriched with variant, characteristic for Chopin grace note added in GC. category imprint: Interpretations within context; Differences between sources; Corrections & alterations; Source & stylistic information issues: Corrections in A , Chopin's hesitations , Errors resulting from corrections , Terzverschreibung error , Deletions in A , Authentic corrections of FE , Errors of GC , Authentic corrections in GC |
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b. 202
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composition: Op. 35, Sonata in B♭ minor, Mvt I
category imprint: Differences between sources issues: Errors in FE , Terzverschreibung error , FE revisions |
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b. 202
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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In the main text we add cautionary flats before B category imprint: Editorial revisions |