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b. 200-202

composition: Op. 35, Sonata in B♭ minor, Mvt II

No arpeggio signs in GC (→GE) & FE (→EE1)

Arpeggio signs in EE2

Arpeggio signs suggested by the editors

..

In the majority of the sources the arpeggios of the tenth chords in the L.H. are not marked. In spite of this, on the basis of a few signs appearing in analogous bars, we suggest an alternative notation with marked arpeggios. In the case of bar 201 in FE it is almost certainly an oversight, as the bar was only marked in the base text to FE1 – [A] – as a repetition of bar 13, in which there is an arpeggio sign. In EE2 the arpeggio in bars 201-202 was most probably added on this ground.  

category imprint: Interpretations within context

b. 200

composition: Op. 35, Sonata in B♭ minor, Mvt II

 in GC (→GE) & FE

No sign in EE

..

The absence of  is most probably an oversight of the engraver of EE.

category imprint: Differences between sources

issues: Errors in EE

b. 200-202

composition: Op. 35, Sonata in B♭ minor, Mvt II

Two pedals in GC & GE2

One pedal in GE1

Three pedals in FE

Three pedals in EE

Our variant suggestion

..

The pedalling of GE1 and EE is most probably an inaccurate reproduction of their base texts – GC and FE respectively. The discussion on the versions of the latter – see bars 13-14

category imprint: Differences between sources

issues: Errors in GE , GE revisions , EE inaccuracies

b. 200

composition: Op. 35, Sonata in B♭ minor, Mvt II

No tie in GC (→GE)

Tie to d1 in FE (→EE)

..

Same as in bar 12, in GC (→GE) there is no tie sustaining d1.

category imprint: Differences between sources

b. 200

composition: Op. 35, Sonata in B♭ minor, Mvt I

..

In the main text, we add cautionary naturals before the f2-f3 crotchet.

category imprint: Editorial revisions