



b. 199-200
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composition: Op. 49, Fantaisie in F minor
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Tying the d category imprint: Differences between sources issues: Sign reversal |
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b. 199-200
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composition: (Op. 4), Sonata in C minor, Mvt I
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In the main text we keep the A notation, as in the entire theme the A slurs are much less numerous than in the exposition – e.g. the L.H. slurs in bars 195-197 and 201-202 are absent. category imprint: issues: GE revisions |
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b. 199-202
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composition: Op. 12, Variations in B♭ major
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Taking into account the homogenous texture in bars 199-202, we consider it unlikely that Chopin would have wanted to apply a different pedalling concept to the subsequent half-bar figures. Therefore, in the main text we indicate the possibility of supplementing pedal markings, taking into account possible extra-musical reasons for the absence of some of them, such as oversights or lack of space. category imprint: Editorial revisions issues: Inaccuracies in FE |
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b. 199
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composition: (Op. 4), Sonata in C minor, Mvt IV
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The shorter GE slur (→FE,EE,IE) could be an inaccuracy or a revision aimed at bringing this place into line with the authentic slurs in analogous bars 17-19. After all, the difference between the ways these places were written down in A suggests that Chopin considered them almost equivalent. category imprint: Differences between sources issues: Inaccuracies in GE , GE revisions |
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b. 199
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In the main text we add a cautionary category imprint: Editorial revisions |