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b. 273
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composition: Op. 2, Variations, complete
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The second note in the L.H. part in AsI, A (→GE→FE) and EE3 is a dotted quaver, as a result of which the bar is a semiquaver too short. In the full, orchestral version of this tutti, the cello (and bassoon) phrase starts from the beginning of the bar with a dotted crotchet, which could have suggested to Chopin that it was also in the version for one piano, after shifting the beginning to the 2nd quaver, that the new value should be dotted. The mistake, easy to detect, was noticed and corrected only by FESB. By contrast, in EE1 (→EE2) the dot prolonging this note was left out – it could have been a failed attempt at correcting this mistake. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in EE , Rhythmic errors , Errors of A , Errors repeated in GE , Errors repeated in FE , Revisions in FESB |
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b. 273
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composition: Op. 2, Variations, complete
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In EE the instrument indication was changed: from the Chopinesque "Cello" to "V-llo", which, of course, denotes the same instrument. In FESB the marking reads "Collo", which is a mistake. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE |
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b. 273
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composition: Op. 2, Variations, complete
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We consider the missing accent in EE to be the engraver's oversight; he probably forgot about it due to the need to change the beaming (in EE the first two beats of the L.H. part are connected by one beam). category imprint: Differences between sources issues: Errors in EE |
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b. 274
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composition: Op. 39, Scherzo in C♯ minor
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A cautionary category imprint: Differences between sources issues: EE revisions , GE revisions , Cautionary accidentals |
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b. 274
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composition: Op. 39, Scherzo in C♯ minor
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A cautionary category imprint: Differences between sources issues: GE revisions , Cautionary accidentals |
before a
2 was added in