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b. 198

composition: Op. 49, Fantaisie in F minor

..

In FE there is no fermata under the L.H. octave. The mark was added by EE; it is also in the remaining sources.

category imprint: Differences between sources

issues: Inaccuracies in FE

b. 198

composition: Op. 49, Fantaisie in F minor

in A

No sign in GE & FE (→EE)
..

The missing  mark in GE must be an oversight by the engraver; on the other hand, it is uncertain who is responsible for the absence thereof in FE (→EE) – it is likely that it was Chopin himself who omitted this mark, like the next ones in bars 199-200.

category imprint: Differences between sources

issues: Errors in GE , No pedal release mark

b. 198

composition: (Op. 4), Sonata in C minor, Mvt I

No grace note in sources

[] suggested by the editors
..

The comparison with the analogous figures in bar 20 and 34 points to a highly likely oversight of the grace note before the last chord (by Chopin).

category imprint: Editorial revisions

issues: Errors of A

b. 198-200

composition: (Op. 4), Sonata in C minor, Mvt I

No markings in sources

Pedalling suggested by the editors
..

In the main text we suggest pedal markings after the analogous fragment in the exposition (bars 20-22, cf. also bars 34-36).

category imprint: Editorial revisions

b. 198

composition: (Op. 4), Sonata in C minor, Mvt IV

in A

No indication in GE (→FE,EE,IE)
..

In the main text we provide the  indication as it was written in A. Its absence in GE (→FE,EE,IE) could be explained by an oversight by the engraver or by a revision due to incompliance with the markings in analogous bar 15. Taking into account this incompliance, according to us, the version of the editions may be considered an acceptable variant.

category imprint: Differences between sources