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b. 274
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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The lack of pedalling in this bar may be regarded as Chopin's oversight – markings in the next two bars suggest that the composer did not link pedal indications with the lower bass note being struck. The complement suggested by the editors is particularly advisable when the pianist employs a division between hands implied by the score. category imprint: Editorial revisions |
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b. 274
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composition: Op. 21, Concerto in F minor, Mvt I
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The slur of the bottom voice, appearing in GE instead of the slur of the top voice written in A, is probably a mistake, although its addition by Chopin cannot be entirely excluded (e.g. if in the proof copy no slur was included, Chopin could have added two and the engraver only the bottom one). In any case, in the proofreading of FE (→EE) Chopin restored the top slur, without removing the bottom one, so that next to the version of A one can also notice the version of FE with two slurs. In the main text we give the version of A, since the authenticity of the bottom slur is not as unquestionable as of the top one; moreover, the top slur applies to the entire part of the R.H. by default. category imprint: Differences between sources issues: Errors in GE , Authentic corrections of FE |
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b. 274
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composition: Op. 16, Rondo in E♭ major
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In FE (→EE1), there is no category imprint: Interpretations within context; Differences between sources issues: Errors in FE , GE revisions , Omission of current key accidentals , Errors repeated in EE |
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b. 274-276
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composition: Op. 31, Scherzo in B♭ minor
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The longer phrase mark of FC is the original version copied (somehow inaccurately) from A: in A one can see that when it returned to Chopin after having been copied by Fontana, the composer crossed out the original ending of that phrase mark and added a new ending 2 bars earlier. The long, continuous slur in GE1 results from a misinterpretation of FC, rectified in GE2 (→GE3). category imprint: Differences between sources; Corrections & alterations issues: Corrections in A , Errors in GE , GE revisions , Deletions in A |
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b. 274
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composition: Op. 31, Scherzo in B♭ minor
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In FE (→EE) the g category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: Errors in FE , Deletions in A , Errors repeated in EE |
raising a
2 to a2. The error, obvious in this context, may have occurred already in [A]. The necessary accidental was added in 
in 