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b. 266

composition: Op. 39, Scherzo in C♯ minor

Pedalling in EE and FE

No markings in GC (→GE)

..

GC (→GE) has no pedal marks in this bar. This is almost certainly the mistake of the copyist (see also notes to bars 260-265 and 265-266).

category imprint: Differences between sources

issues: Errors of GC

b. 266-273

composition: Op. 35, Sonata in B♭ minor, Mvt II

Indications in GC & GE2

Only dim. in GE1

Indications in FE (→EE)

..

In the main text, we give dim. indication already in bar 266, according to GC (→GE). Its later occurrence in FE (→EE) could have been due to the new line starting at bar 267. The lack of the later indications – rallentando and lento – is certainly a result of engraver's oversight.

category imprint: Differences between sources

issues: Inaccuracies in FE , Errors in GE , GE revisions

b. 266

composition: Op. 21, Concerto in F minor, Mvt I

c2 in chords in A & GE2

No c2 in GE1 (→FEEE)

..

The absence of cin the chords is almost certainly a result of an oversight of the engraver of GE1 (→FEEE).

category imprint: Differences between sources

issues: Errors in GE , GE revisions

b. 266

composition: Op. 21, Concerto in F minor, Mvt I

..

The cautionary flat before dwas added by us.

category imprint: Editorial revisions

b. 266-271

composition: Op. 11, Concerto in E minor, Mvt I

No fingering in FE (→GE)

Fontana's fingering in EE

..

Fontana's fingering in bars 266-268 and 270-271 draws attention to combining legato the second bass motifs at the transitions between the bars.

category imprint: Differences between sources

issues: EE revisions