b. 267
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composition: Op. 43, Tarantella
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In A there is no slur over the first and second beat of the LH part. category imprint: Differences between sources issues: Errors of A |
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b. 267-270
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composition: Op. 39, Scherzo in C♯ minor
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The pedalling of EE and GC (→GE) is definitely authentic. The pedalling of FE does not raise much doubt either, apart from the placement of the mark in bar 267, which seems inaccurate (see the note to bar 259). We include the two versions of pedalling, both of them probably authentic, as variants. category imprint: Differences between sources issues: Inaccuracies in FE |
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b. 267
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composition: Op. 39, Scherzo in C♯ minor
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At the beginning of the bar FE1 has F1. This is almost certainly an error and it got corrected in FE2. category imprint: Differences between sources issues: Errors in FE |
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b. 267
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composition: Op. 39, Scherzo in C♯ minor
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A rest on the 2nd beat of the bar is missing in FE. category imprint: Source & stylistic information issues: Errors in FE |
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b. 267
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composition: Op. 21, Concerto in F minor, Mvt I
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The change of to is a quite common mistake, also in combination with (cf. e.g. bar 233 and 247 as well as bar 199). Admittedly, in the discussed place the situation is slightly different, yet it is also a misunderstanding of the notation of A that is the most likely reason thereof. Therefore, in the main text we stick to the notation of A. category imprint: Differences between sources issues: Inaccuracies in GE , GE revisions |