



b. 185
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In the main text we keep the A (→GE) slur, being a part of the irregular group marking. In the remaining editions it was transformed into an articulation slur, which can be considered an acceptable variant, as in later pieces Chopin would often change the initially written "rhythmic" slurs into articulation ones – cf., e.g. the Etude in C minor, Op. 10 No. 12, bars 52-62. category imprint: Differences between sources issues: GE revisions , Triplet slurs |
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b. 186-188
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composition: Op. 43, Tarantella
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In GE there are no slurs connecting quavers and crotchets in the RH part on the first and second beat of b. 187 and the first beat of b. 188. category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 186
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composition: Op. 38, Ballade in F major
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The version in GC (→GE1→GE2) is undoubtedly mistaken – cf. the previous bar. The error was corrected only in GE3. category imprint: Interpretations within context; Differences between sources issues: Errors of GC |
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b. 186
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composition: Op. 38, Ballade in F major
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Before the first semiquaver GE added a category imprint: Interpretations within context; Differences between sources issues: GE revisions |
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b. 186
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composition: Op. 21, Concerto in F minor, Mvt I
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The missing f1 in the editions is almost certainly a result of an oversight of the engraver of GE1, since one can see neither traces nor reasons for a possible removal of this note. category imprint: Differences between sources issues: Errors in GE |