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b. 245

composition: Op. 2, Variations, complete

..

In AsI there is no  restoring f in the penultimate semiquaver, which is a patent mistake, committed also in the bassoon part of this manuscript (but not in the cellos or the double basses). A and the remaining sources have the correct text.

category imprint: Interpretations within context; Differences between sources

issues: Omissions to cancel alteration

b. 246

composition: Op. 43, Tarantella

 
..

In FC3 fcrotchet in RH is not dotted.

Also both in A and GE1 there is no  on this note.

category imprint: Differences between sources

issues: Inaccuracies in GE , Errors of A , Inaccuracies in FC

b. 246-247

composition: Op. 43, Tarantella

 
 
..

In A, most probably as a result of omission fesin RH is not tied over to the next bar. Based on the corressponding tie in bars 244-245, we annotate the main text with a tie here. FC3GE1 (→GE2GE3) copy the incorrect notation of A.

category imprint: Differences between sources

issues: Errors of A

b. 246-247

composition: Op. 21, Concerto in F minor, Mvt I

Slur in bar 246 in A

Slur to bar 247 in GE (→FEEE)

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GE (→FEEE) treated the slur in the parts of both hands in the same way, which is not compliant with the notation of A. According to us, there are also no musical reasons to suspect an inaccuracy of the notation of A, hence we give it directly in the main text.

category imprint: Differences between sources

issues: Inaccuracies in GE

b. 246

composition: Op. 21, Concerto in F minor, Mvt I

Slurs in A, EE & GE2

Slurs in GE1

Slurs in FE

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The slightly too short 1st slur of GE1 caused an already more distinct inaccuracy in FE. The remaining editions include a text compatible with A.

category imprint: Differences between sources

issues: EE revisions , Inaccuracies in GE , GE revisions