b. 245
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composition: Op. 2, Variations, complete
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In AsI there is no restoring f in the penultimate semiquaver, which is a patent mistake, committed also in the bassoon part of this manuscript (but not in the cellos or the double basses). A and the remaining sources have the correct text. category imprint: Interpretations within context; Differences between sources issues: Omissions to cancel alteration |
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b. 246
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composition: Op. 43, Tarantella
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In FC3 f2 crotchet in RH is not dotted. category imprint: Differences between sources issues: Inaccuracies in GE , Errors of A , Inaccuracies in FC |
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b. 246-247
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composition: Op. 43, Tarantella
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In A, most probably as a result of omission fes2 in RH is not tied over to the next bar. Based on the corressponding tie in bars 244-245, we annotate the main text with a tie here. FC3, GE1 (→GE2→GE3) copy the incorrect notation of A. category imprint: Differences between sources issues: Errors of A |
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b. 246-247
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composition: Op. 21, Concerto in F minor, Mvt I
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GE (→FE→EE) treated the slur in the parts of both hands in the same way, which is not compliant with the notation of A. According to us, there are also no musical reasons to suspect an inaccuracy of the notation of A, hence we give it directly in the main text. category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 246
|
composition: Op. 21, Concerto in F minor, Mvt I
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The slightly too short 1st slur of GE1 caused an already more distinct inaccuracy in FE. The remaining editions include a text compatible with A. category imprint: Differences between sources issues: EE revisions , Inaccuracies in GE , GE revisions |