Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main


b. 181-182

composition: Op. 2, Variations, complete

..

The version of AsI written down as these bars are repeated – see b. 183.

category imprint: Differences between sources; Editorial revisions

b. 181-191

composition: Op. 2, Variations, complete

..

In AsI these bars are almost devoid of performance indications, on which we do not comment further on. The only marking is the slur over the e2-d2-c2 sequence in b. 191.

category imprint: Differences between sources

b. 181

composition: Op. 2, Variations, complete

No slur in A (→GEFE,EE1EE2)

Slur in EE3

Slur suggested by the editors

..

In the main text, we propose adding a slur covering a pair of double stops at the transition of bars 180-181, b-a1 and e1-g1. The slur was also added in EE3.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions

b. 181

composition: (Op. 4), Sonata in C minor, Mvt I

Slur from 2nd quaver in sources, literal reading

Slur from 1st quaver suggested by the editors

category imprint: Graphic ambiguousness; Editorial revisions

issues: Inaccurate slurs in A

b. 181

composition: (Op. 4), Sonata in C minor, Mvt IV

in A

No sign in GE (→FE,EE,IE)

category imprint: Differences between sources

issues: Errors in GE