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b. 242

composition: Op. 43, Tarantella

 
 
..

In GE4 F instead of is the fourth quaver in LH.

In EE there is redundunt  before G.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Errors in GE

b. 242

composition: Op. 43, Tarantella

..

In EE and GE there is redundant  before the last quaver f in LH.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , GE revisions

b. 242

composition: Op. 35, Sonata in B♭ minor, Mvt II

No sharps in GC (→GE) & FE1 (→FE2EE1)

Sharps in FE3 (→FE4) & EE2

..

Same as in bar 54, we include in the main text the sharps raising the f1-f2 grace note to f1-f2, added – most probably by Chopin – in the proofreading of FE3 (→FE4). The change was introduced also in EE2.

category imprint: Differences between sources; Corrections & alterations

issues: EE revisions , Errors in FE , Errors in EE , Errors in GE , Omission of current key accidentals , Authentic corrections of FE , Errors of GC

b. 242

composition: Op. 21, Concerto in F minor, Mvt I

..

All sources have a  before e2, a sign that we omit in the main text as an unjustified cautionary accidental in this context. Perhaps Chopin felt the need to mark the difference with respect to the previous half-bar figure, in which there is a din this place – it would be another argument confirming the fact that the absence of  before this din A (→GE) is an oversight.

category imprint: Editorial revisions

issues: Cautionary accidentals

b. 242

composition: Op. 21, Concerto in F minor, Mvt I

..

The natural raising d2 to dappears in A (→GEFE1) only before the 13th semiquaver. The mistake was corrected – most probably by Chopin – in the proofreading of FE2 (→EE). In the main text, we omit the  on the 13th semiquaver of the bar, superfluous in relation to the sign on the 4th semiquaver.

category imprint: Interpretations within context; Differences between sources

issues: Omission of current key accidentals , Authentic corrections of FE , Inaccuracies in A