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b. 238-239

composition: Op. 11, Concerto in E minor, Mvt I

B tied in FE (→EE)

B repeated in GE

..

The absence of the tie to is most probably an oversight of the engraver of GE, cf. the slurs in analogous bars 242-243 and 589-590 and 593-594.

category imprint: Differences between sources

issues: Errors in GE

b. 238

composition: Op. 11, Concerto in E minor, Mvt I

Slur in FE (contextual interpretation→EE)

Slur in FE (possible reading→GE)

..

The inaccurate slur of FE was interpreted in GE as running from the 3rd crotchet in the bar, which is certainly erroneous, since in all 3 analogous places, the slur begins from the 2nd crotchet, with the entrance of the phrase led in octaves. 

category imprint: Graphic ambiguousness; Differences between sources

issues: EE revisions , Inaccuracies in GE , Inaccuracies in FE

b. 238

composition: Op. 16, Rondo in E♭ major

a1 tied in FE (→EE)

a1 ​​​​​​​repeated in GE

..

In GE, the engraver overlooked the tie of the small a​​​​​​​1​​ quaver.

category imprint: Differences between sources

issues: Errors in GE

b. 238

composition: Op. 11, Concerto in E minor, Mvt III

..

We add a cautionary  before d​​​​​​​2 and a  before b2 in the main text. The former was added in GE3, whereas the latter already in GE and EE.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , GE revisions

b. 238

composition: Op. 11, Concerto in E minor, Mvt III

No mark in FE (→EE,GE1GE2)

Wedge in GE3

..

The missing wedge in the majority of the sources may be a consequence of the mistake of the engraver of FE who placed the mark provided for this bar probably 2 bars later, in bar 240. A wedge was added in GE3, perhaps following the mark in bar 240.

category imprint: Differences between sources; Editorial revisions

issues: GE revisions