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b. 229
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composition: Op. 21, Concerto in F minor, Mvt III
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Omission of legatiss. over the top voice in the R.H. is most probably a mistake of the engraver of GE1. It can be puzzling that the indication was not added in GE2 – perhaps it was regarded as contrary to leggieriss. below. category imprint: Differences between sources issues: Errors in GE |
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b. 229
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composition: Op. 19, Bolero
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As in the case of analogous bar 117, in GE there is no category imprint: Differences between sources issues: FE revisions |
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b. 229
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composition: Op. 21, Concerto in F minor, Mvt III category imprint: Differences between sources issues: GE revisions , Cautionary accidentals |
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b. 229-231
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composition: Op. 11, Concerto in E minor, Mvt I
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In the main text, we suggest adding slurs on the basis of comparison with the recapitulation, although the figuration is arranged slightly different there. The range of the slur added in bar 229 is marked by the adjacent slurs in bars 228 and 229-230. There is a similar situation in bars 230-231 – the added slur begins as the figuration is taken over by the L.H. and it ends before the next bass note in bar 232. The slur in bar 229 was added already in GE3. category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 229-230
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composition: Op. 22, Polonaise
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In the main text we omit the reminder flats before a category imprint: Editorial revisions issues: Cautionary accidentals |
before c1, added most probably in the last proofreading of 
only before d
2. A second sign was added in 
