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b. 228-229

composition: Op. 11, Concerto in E minor, Mvt III

3 slurs in FE (→EE)

No slurs in GE1 (→GE2)

Slur in bar 229 in GE3
..

The lack of three subsequent slurs in the L.H. part is almost certainly an oversight of the engraver of GE1 (→GE2). A slur in the bottom voice in bar 229 was added in GE3 after analogy with adjacent bars.

category imprint: Differences between sources

issues: Errors in GE , GE revisions

b. 228-229

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FEH

No teaching fingering
..

The fingering added in FEH to the printed Chopinesque indications completes them in the most natural manner.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH

b. 228

composition: Op. 22, Polonaise

..

Just like in b. 224, the cautionary flats before a1 and b1 on the 2nd quaver of the bar were added at the time of proofreading of FE (→GE). The accidentals are absent in EE1; however, they were added in EE2. In the main text we also add a  before a1, the 2nd R.H. semiquaver.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , Cautionary accidentals , Authentic corrections of FE

b. 228

composition: Op. 44, Polonaise in F♯ minor

..

In the main text we add cautionary naturals before e1 and e2.

category imprint: Editorial revisions

b. 228-230

composition: Op. 44, Polonaise in F♯ minor

..

In AImaz the bass line is led an octave higher – f-B-e.

category imprint: Corrections & alterations; Source & stylistic information

issues: Accompaniment changes , Bass register changes