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b. 170
|
composition: (Op. 4), Sonata in C minor, Mvt I
..
The sound of the 4th L.H. quaver and the 6th R.H. quaver may be questionable, which is evidenced by, e.g. the revisions of FE2 and IE and EE2, going in the opposite direction. According to us, both the harmonic context (F major chord as a resolution of the seventh chord constituting the harmonic basis in this bar) and the R.H. figuration melodic structure (Chopin would generally use bottom foreign notes a semitone away from chord tones, hence in this case e category imprint: Differences between sources; Editorial revisions issues: EE revisions , |
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b. 170
|
composition: (Op. 4), Sonata in C minor, Mvt I
..
In the main text we omit the unjustified cautionary category imprint: Editorial revisions issues: Cautionary accidentals |
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b. 170-171
|
composition: (Op. 4), Sonata in C minor, Mvt IV
..
The missing top slur in GE (→FE,EE,IE) is probably an oversight, as the mark is poorly visible in A. category imprint: Differences between sources issues: Errors in GE |
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b. 170-171
|
composition: (Op. 4), Sonata in C minor, Mvt IV
..
In the main text, we do not include the inauthentic fingering added by EE. category imprint: Differences between sources issues: EE revisions |
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b. 171
|
composition: Op. 43, Tarantella
..
We add cautionary category imprint: Differences between sources; Editorial revisions issues: EE revisions |
) in 
1 & c
to e
