b. 228-230
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composition: Op. 44, Polonaise in F♯ minor
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In AImaz the harmonic filling in b. 228 – crotchet on the 2nd beat of the bar – is written down as a minim. In b. 229 on the 3rd beat of the bar there is a crotchet instead of a L.H. rest. In b. 230 the L.H. part rhythm is the same as in the final version in b. 171, while in the R.H. part a1 is repeated on the 3rd beat of the bar. category imprint: Corrections & alterations; Source & stylistic information issues: Accompaniment changes |
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b. 228-229
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composition: Op. 23, Ballade in G minor
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The chromatic notation of A is inaccurate in a peculiar way – Chopin overlooked the to the bottom note of the 1st octave in b. 228 (B1) and the accidentals to the bottom notes of the sixths on the 4th quaver in both bars (a2 and f2, respectively). It is also noteworthy that there is a cautionary to f2, but not a quaver earlier to f1. FE added only a to B1. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , FE revisions , Last key signature sign , Inaccuracies in A , Errors repeated in FE |
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b. 228-239
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composition: Op. 2, Variations, complete
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The semiquavers being grouped differently in the editions resulted from an arbitrary decision of the engraver of GE1 – see bars 208-227. category imprint: Differences between sources issues: GE revisions |
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b. 228-239
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composition: Op. 2, Variations, complete
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The initial edit of the solo part of this variation, the only one written down in AsI and crossed out in A, is discussed separately as Variation IV, initial version. category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A |
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b. 229
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composition: Op. 43, Tarantella
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We add cautionary before g in the RH part. Similar addition was made in GE4. category imprint: Differences between sources; Editorial revisions issues: GE revisions |