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b. 228-238
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composition: Op. 43, Tarantella
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In A and FC3 the second quaver group in the LH part in bars 228, 229, 230 and 238 is not written out with notes. A repeat sign of the first beat was notated here. category imprint: Differences between sources; Source & stylistic information issues: Abbreviated notation of A |
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b. 228-229
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composition: Op. 39, Scherzo in C♯ minor
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As there is no reason for the pedalling in this passage to differ from that in analogous bars 183-185, we give precedence to the version of EE and GC (→GE). category imprint: Differences between sources issues: Inaccuracies in FE |
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b. 228-229
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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The absence of the naturals raising g category imprint: Differences between sources issues: EE revisions , Errors in FE , Errors in EE , GE revisions , Authentic corrections of FE , FE revisions |
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b. 228-229
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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In GE this bar ends the line, and the opening fragment of the slur which starts from the G1-G octave, falling in this bar, is mistakenly omitted. category imprint: Graphic ambiguousness; Differences between sources |
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b. 228-229
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composition: Op. 21, Concerto in F minor, Mvt I
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The slur of A at the end of bar 228 clearly indicates a continuation to bar 229. Therefore, this is the version we adopt in the main text, although in bar 229 (on a new page) there is no ending of the slur. category imprint: Interpretations within context; Differences between sources issues: Inaccuracies in GE , Inaccurate slurs in A |
in 
(1) to g(1) is almost certainly a mistake of Chopin who partially corrected his error in the proofreading of 
on the 2nd crotchet in bar 228. In 
