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b. 169
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composition: Op. 44, Polonaise in F♯ minor
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According to us, neither source nor stylistic criteria allow us to give preference to any of these versions. Due to the above reason, in the main text we suggest a variant solution. category imprint: Differences between sources issues: Errors in GE , Authentic corrections of FE , Partial corrections |
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b. 169
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composition: Op. 44, Polonaise in F♯ minor
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In the main text we add cautionary naturals next to a1 and a2. category imprint: Editorial revisions |
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b. 169-170
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composition: Op. 23, Ballade in G minor
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In A (→FE,EE), b. 169 ends the line, which resulted in an inaccuracy in the reproduction of the slur – at the end of b. 169 the aforementioned editions suggest that it should be continued, yet in b. 170 a new slur starts from the 1st crotchet (in all of them). In EE and GE1a these bars are in one line, yet each of them interpreted this vague notation differently – EE separated the slurs, while GE1a combined them. We reproduce the inaccurate version of FE and GE in the graphic transcription (version 'transcript'); by contrast, we adopt a continuous slur as the text of these editions (version 'edited text'), in accordance with A. category imprint: Graphic ambiguousness; Differences between sources issues: EE revisions , Inaccuracies in FE , Uncertain slur continuation , Errors repeated in GE |
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b. 169
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composition: Op. 49, Fantaisie in F minor
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In the main text we add a cautionary category imprint: Differences between sources; Editorial revisions issues: EE revisions |
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b. 169-170
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composition: (Op. 4), Sonata in C minor, Mvt IV
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The missing a1-g1 slur in IE is probably an oversight. category imprint: Differences between sources issues: Errors in IE |
to c2 (Chopin wrote a respective accidental only to c3 four bars earlier). A natural in the discussed place was also added by 
