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b. 227

composition: Op. 22, Polonaise

e1-a1 in FE (→GE) & EE2

e1-a1 in EE1

..

Just like in b. 223, the version of EE1 is probably Chopin's mistake adopted from a proof copy of FE. The natural raising a1 to a1 was added in the last stage of proofreading of FE (→GE). The correction was also introduced in EE2.

category imprint: Differences between sources

issues: EE revisions , Omission of current key accidentals , Authentic corrections of FE , Last key signature sign

b. 227

composition: Op. 22, Polonaise

leg. in FE

leggiero in GE & EE

..

The abbreviation leg. used in FE is ambiguous – it may be explained as leggiero or legato. However, if Chopin had wanted to change the indication with respect to analogous b. 223, which features leggiero, he would have certainly used an unequivocal indication. Due to this reason, in the main text we give leggiero, which is also compliant with GE and EE.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Inaccuracies in FE , GE revisions

b. 227-228

composition: Op. 44, Polonaise in F♯ minor

..

In FE b. 227 closes the line, while the ending of the slur clearly suggests that it should be continued, which is not confirmed by the slur in b. 228, which begins from the 1st note. We interpret it as separate slurs, which is compliant with the notation of GE and which was interpreted as such in EE, based on FE.

category imprint: Graphic ambiguousness; Differences between sources

issues: EE revisions , Inaccuracies in FE , Uncertain slur continuation

b. 228

composition: Op. 43, Tarantella

..

We add cautionary  before in LH. 

category imprint: Editorial revisions

b. 228

composition: Op. 43, Tarantella

..

We add cautionary  before in the RH part.

category imprint: Editorial revisions