b. 207-208
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composition: Op. 21, Concerto in F minor, Mvt III
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The change of the clearly long accents in A to short ones is certainly a result of an inaccuracy of GE (→FE→EE). The sign in bar 207 was initially written over the top stave in A, and then deleted and replaced with an accent between the parts of both hands. category imprint: Differences between sources; Corrections & alterations issues: Long accents , Inaccuracies in GE , Corrections in A |
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b. 207
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composition: Op. 11, Concerto in E minor, Mvt I
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The missing slur must be considered Chopin's or the engraver's mistake – in the remaining analogous bars, there are slurs, although inaccurate. In the main text, we suggest a slur modelled after the slurs of the sources in bars 205 and 209. category imprint: Editorial revisions |
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b. 207
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composition: Op. 11, Concerto in E minor, Mvt I
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In FE, a is only before the top note of the octave on the 2nd beat of the bar. The patent mistake was corrected in the remaining editions by adding a before the bottom note, whereas in EE and GE3, the unnecessary before the top note was also removed. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions |
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b. 207
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composition: Op. 11, Concerto in E minor, Mvt III
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In FE, the missing slur is most probably an oversight related to the introduction of bass clef to the notation of f. Anyway, it must be an inaccuracy, which was corrected already in GE and EE. category imprint: Differences between sources issues: EE revisions , Inaccuracies in FE , GE revisions , Uncertain slur continuation |
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b. 207
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composition: Op. 22, Polonaise
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Just like in b. 63, of which the discussed bar is a literal repetition, the asterisk was placed a quaver too far in FE, which is probably a mistake. category imprint: Differences between sources; Editorial revisions issues: Inaccuracies in FE , GE revisions |