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b. 207
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composition: Op. 2, Variations, complete
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In the stage of proofreading FE, the ending of this tutti underwent a similar change as in the previous variation. Eventually, in the version for one piano, all four endings – of the Theme and the first three variations – were given a similar form, with a chord in a higher register (in open position) on the 2nd quaver and a doubled or tripled b category imprint: Differences between sources; Corrections & alterations issues: Accompaniment changes , Authentic corrections of FE , Bass register changes , Main-line changes |
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b. 207
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composition: Op. 2, Variations, complete
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The additional wedge in GE is, according to the editors, most likely a mistake by the engraver of GE1 – there is no reason why Chopin's possible addition of marks should only apply to the L.H. In turn, omission of the last R.H. wedge in FE is probably a side effect of the correction of the pitch of this quaver – see the adjacent note. The absence of 3 out of 5 wedges in FESB is most likely the result of the carelessness of the engraver of this edition. In the main text we provide wedges according to A, taking into account Chopin's correction of the last quaver introduced in FE. category imprint: Differences between sources issues: Errors in FE , Errors resulting from corrections , GE revisions , |
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b. 208-211
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composition: Op. 39, Scherzo in C♯ minor
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EE is the only source in which the slur corresponds with natural phrasing in those bars. In FE the slur ends on the last chord of bar 210. In GC it abruptly ends with the end of the line, which in GE was interpreted logically, yet without taking into account the context of similar places. category imprint: Differences between sources issues: Errors of GC |
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b. 208
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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FE1 (→FE2→FE3) lacks in a category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Cautionary accidentals , FE revisions , Authentic corrections in GC |
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b. 208
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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The curved line before the grace note and the chord, written in GC (→GE), means an arpeggio in this context. No sign in FE (→EE) is most probably an oversight of the engraver. category imprint: Interpretations within context; Differences between sources |
root on the third one.
before the bottom most E1. Chopin corrected his oversight in 
before e
