Issues : EE inaccuracies
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b. 150
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composition: Op. 22, Polonaise category imprint: Differences between sources issues: Long accents , GE revisions , EE inaccuracies |
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b. 155
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composition: Op. 22, Polonaise
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The demisemiquaver passage in FE (→GE1) is devoid of the accidentals present before the 1st chord (not counting the octave sign) – the naturals of a1 and a2 and the category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , Accidentals in different octaves , Inaccuracies in GE , Inaccuracies in FE , GE revisions , EE inaccuracies |
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b. 156
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composition: Op. 22, Polonaise
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FE (→GE1) are lacking in the naturals before the a1 and a2 demisemiquavers. The latter was added in EE, whereas both – in GE2 (→GE3). category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , Accidentals in different octaves , Inaccuracies in GE , Inaccuracies in FE , GE revisions , EE inaccuracies |
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b. 170-172
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composition: Op. 22, Polonaise
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One can have doubts whether holding pedal as long as to the last quaver in b. 170 and 172, like in FE, actually corresponds to Chopin's intention. The effect of the dominant and tonic chords temporarily overlapping could have been intentional; however, according to us, taking into account the pedalling markings of analogous b. 64 and 66, which are shorter and compliant with the harmonic course, one can assume that the markings in the discussed bars may be inaccurate. Due to this reason, in the main text we move the category imprint: Differences between sources; Editorial revisions issues: Inaccuracies in GE , Inaccuracies in FE , EE inaccuracies |
of f
2. A comparison with the notation of the two previous bars, in which the 
of e2 is present in the passage, shows that possible rules of validity of accidentals were approached in a very flexible manner in such situations. In the remaining editions the notation was partially completed – 
on last quaver in 
