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b. 156

composition: (Op. 4), Sonata in C minor, Mvt IV

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In the main text we add cautionary naturals to d1 and g.

category imprint: Editorial revisions

b. 156

composition: (Op. 4), Sonata in C minor, Mvt IV

Slur a1-b1 in A

Slur c2-b1 in GE (→FE,IE)

No slur in EE
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In the main text we reproduce the A slur as combining the a1 crotchet with the b1 quaver. The earlier starting point of the slur in GE (→FE,IE) is a less likely interpretation, since the A notation most probably means that both R.H. bottom voices are to meet on the b1 quaver. The omission of the slur in EE is due to the engraver's mistake.

category imprint: Differences between sources

issues: Inaccuracies in GE , Errors in EE

b. 157

composition: Op. 43, Tarantella

 
 
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In A the c1-e1 third at the beginning of b.153 (and 161, marked as repeat) is not dotted. The corresponding b. 149 (157) is indecipherable in the charred manuscript; there is no legitimate reason to differentiate them. The augmentation dots in place in FC3 (→FE→IE), GE and EE may well have been added by the copyist, who must have assumed the Chopin had omitted them (as in A Chopin indeed had a few of omissions). 

category imprint: Interpretations within context; Differences between sources; Editorial revisions

b. 157

composition: Op. 43, Tarantella

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We add cautionary  before f1 in RH, similarly in EE and GE4.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , GE revisions

b. 157

composition: Op. 43, Tarantella

 
 
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In GE1 (→GE2→GE3) in b. 157 there is no dynamic marking  on the first beat.

category imprint: Differences between sources

issues: Inaccuracies in GE