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b. 156

composition: Op. 11, Concerto in E minor, Mvt I

Fingering written into FED

No teaching fingering

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED

b. 156-158

composition: Op. 11, Concerto in E minor, Mvt I

..

In bars 156 and 158, in GE3, the repeated chords were written in an abbreviated manner as dotted minims with quaver tremolos. There is a similar situation in bar 160, 162 and 171-172.

category imprint: Differences between sources

issues: GE revisions

b. 156-157

composition: Op. 11, Concerto in E minor, Mvt III

No slur in FE (→GE,EE)

Slur written in FED

Slur suggested by the editors

..

The slur added in FED contains a suggestion both in terms of articulation – legato of three subsequent dyads – and in terms of rhythm and phrase due to the emphasis on the quasi-syncopated rhythm of the octaves in the L.H.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED

b. 156-158

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FEH

No teaching fingering

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH

b. 156-158

composition: Op. 11, Concerto in E minor, Mvt III

..

The cautionary naturals before the E-e octave in the middle of bar 156 are to be found only in FE (→EE), which points to a possible proofreading performed by Chopin in the last stage of preparation of FE. In the main text, we add analogous naturals also in bar 158; they were added also in EE.

category imprint: Differences between sources; Corrections & alterations

issues: EE revisions , Authentic corrections of FE