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b. 155
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composition: (Op. 4), Sonata in C minor, Mvt IV
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Long accents reproduced as short accents are often to be found in GE (→FE,EE,IE) in Chopinesque first editions. In this case, however, the A mark is so clear and typical that the inaccuracy may be puzzling. category imprint: Differences between sources issues: Long accents , Inaccuracies in GE |
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b. 156
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composition: Op. 43, Tarantella
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We add cautionary category imprint: Differences between sources; Editorial revisions |
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b. 156-163
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composition: Op. 43, Tarantella
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In A these bars are marked as repeat of bars 148-155. category imprint: Differences between sources |
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b. 156
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composition: Op. 43, Tarantella
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Since bars 148-155 in A are marked with a repeat sign, we notate the second chord of LH in b. 156 as a crotchet and quaver rest analogous to b. 148. In the remaining sources the notation of b. 148 as a crotchet and quaver rest was also retained. category imprint: Differences between sources |
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b. 156-160
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composition: Op. 43, Tarantella
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Bars 156-159, similarly to bars 148-151 are slurred differently in the sources. The main differences fall on the first two bars of the phrase. Cf. b. 148 In FE(→IE) the slurs extend as far as the chord on the first beat in b. 160, which is different from any other sources. category imprint: Differences between sources issues: GE revisions , FE revisions |
before a
1 in the chord on the first beat.
