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b. 190-195
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composition: Op. 44, Polonaise in F♯ minor
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The difference between GE1 and FE in the number of bars featuring staccato markings for the L.H. crotchets does not influence the performance – in both cases the marks serve as a model, and the articulation is valid throughout the entire section until b. 197. To the main text we adopt the more accurate notation of GE1. The reduced number of dots in EE probably resulted from the engraver's inaccuracy, whereas the omission of the marks in GE2 is rather a revision (cf. b. 151-158). category imprint: Differences between sources issues: GE revisions |
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b. 190
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composition: Op. 23, Ballade in G minor
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We add a cautionary category imprint: Editorial revisions |
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b. 191
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composition: Op. 43, Tarantella category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions |
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b. 191
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composition: Op. 38, Ballade in F major
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In A the inner note of the last chord in the L.H. is barely visible, therefore, in EE it was omitted. category imprint: Graphic ambiguousness; Differences between sources; Source & stylistic information |
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b. 191
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composition: Op. 38, Ballade in F major
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In GC the 7th semiquaver in the R.H. was erroneously combined with the group of semiquavers from the 1st half of bar. This also resulted in wrong slurring – the slurs embrace 7 and 5 semiquavers. GE did not repeat those errors. category imprint: Source & stylistic information issues: Inaccuracies in GC |
before a2 in the main text.
before e
1 in LH. Similar additions were made in 
was originally written at this place. This indicates that the copyist mistakenly wrote the chord from bar 195.