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b. 145-164
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composition: Op. 12, Variations in B♭ major
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Most of the wedges present in FE (→EE) were arbitrarily changed to staccato dots in GE – see the note in bar 7. As the change covers all wedges included in GE, we consider the version of this edition to be one variant, on this page encompassing 22 marks in bars 145-146, 148-149, 151 and 153-164. We discuss the omitted marks in all or some editions separately – see the notes in bar 146, 151, 156 and 161-163. category imprint: Differences between sources issues: GE revisions |
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b. 146
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composition: Op. 43, Tarantella
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In all sources except EE and GE4 there is redundant category imprint: Differences between sources; Editorial revisions issues: Cautionary accidentals |
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b. 146
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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The two accents were clearly written in A as a short one and a long one. In GE1 that difference was disregarded and two short accents were put in. That version was revised in GE2 (→GE3) by lengthening the first accent (against A). FE also presents a similar version, which was changed to two equally short accents again in EE (following the general tendency of that edition). category imprint: Differences between sources issues: Inaccuracies in GE , Inaccuracies in FE , GE revisions , EE inaccuracies |
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b. 146
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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In GE2 (→GE3) a pause sign, obvious in this context, was added over the rest in the L.H. part. Making the notation more specific in that manner is advised in the scores of works for more than one performer, but in piano music it is not necessary. category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 146
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composition: Op. 64 No 3, Waltz in A♭ major
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In a separate version of GE – GE1Ab (→GE2Ab) – the bottom note of the chord on the 2nd beat is an erroneous c. category imprint: Differences between sources issues: Errors in GE , Terzverschreibung error |
on c at the beginning of the bar in the LH part.
