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b. 172
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composition: Op. 21, Concerto in F minor, Mvt I
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In the main text we add cautionary flats before e category imprint: Editorial revisions |
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b. 172
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composition: Op. 21, Concerto in F minor, Mvt I
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The missing one or two accents in the L.H. are certainly a result of mistakes of the engraver of GE1 (→FE→EE) and the reviser of GE2. The change of the type of accents in EE is a routine revision in this edition. category imprint: Differences between sources issues: EE revisions , Errors in GE , GE revisions |
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b. 172
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composition: Op. 21, Concerto in F minor, Mvt I
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The absence of the category imprint: Editorial revisions issues: No pedal release mark , Inaccuracies in A |
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b. 172-173
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composition: Op. 21, Concerto in F minor, Mvt III
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The absence of the slur in bar 173 in GE1 (→FE) is certainly a mistake. However, it is probably not an oversight, but a "mirror" mistake (reverse sign): instead of placing the slur to the right of the bar line, the engraver printed it on the left-hand side, where it makes no sense in this context (cf. Waltz in C category imprint: Differences between sources issues: EE revisions , Errors in GE , GE revisions , Sign reversal |
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b. 172-173
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composition: Op. 16, Rondo in E♭ major
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We give the Chopinesque fingering written in pencil to FEJ. category imprint: Differences between sources |
2(3).
] suggested by the editors
minor Op. 64 no. 2, bars 
