b. 172
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composition: Op. 38, Ballade in F major
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In the main text we add restoring b1 in the 2nd half of bar. Chopin's patent error was only rectified in GE. See also bar 176. category imprint: Editorial revisions |
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b. 172
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composition: Op. 38, Ballade in F major
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The slur over three L.H. quavers in the 2nd half of the bar was probably added in GC (→GE) by Chopin. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections in GC |
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b. 172-173
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composition: Op. 26 No 2, Polonaise in E♭ minor
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Chopin added the pedalling in the proofreading of FE1. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
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b. 172
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composition: Op. 26 No 2, Polonaise in E♭ minor
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The slur of A is written over the notes and it embraces the entire motif, together with the minim. It is also poorly visible due to the ending ink and the upcoming word acceler. It explains the absence of the slur in FE, as its oversight by the engraver or even considering it to be deleted by the overwritten indication is highly likely. The slur was completed in the remaining editions on the basis of analogy with similar bars earlier and bar 173. In the main text we give the slur in this form – under the notes and embracing the semiquavers only, as Chopin, while writing A, probably erroneously wrote the original form of this sign. It is proved by the clear slur in the next bar, as well as the notation of bar 20, in which the composer deleted the longer slur over the stave, replacing it with a shorter one under the notes. category imprint: Interpretations within context; Differences between sources issues: Errors in FE , Inaccurate slurs in A |
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b. 172
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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GC (→GE) and FE have a cautionary before the 3rd crotchet in bar 172 (g). The superfluous sign was removed in EE. category imprint: Differences between sources issues: EE revisions , Cautionary accidentals |