Issues : Errors of A
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b. 56-59
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composition: Op. 11, Concerto in E minor, Mvt I
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In Atut, Chopin wrote these bars almost as if there were 3 sharps in the key signature (the A major key) – he overlooked the majority of the sharps raising c(1,2) to c category imprint: Interpretations within context; Differences between sources issues: Omission of current key accidentals , Errors of A , FE revisions |
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b. 68-72
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composition: Op. 11, Concerto in E minor, Mvt I
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In Atut (→FE), the minims in bars 68 and 72 are devoid of extending dots, which, in both cases, must be considered a mistake. Dots were added in GE and EE. category imprint: Interpretations within context; Differences between sources issues: EE revisions , GE revisions , Rhythmic errors , Errors of A |
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b. 79-83
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composition: Op. 11, Concerto in E minor, Mvt I
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In bar 79 in Atut, Chopin wrote a category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Omission of current key accidentals , Errors of A , FE revisions , Inaccuracies in A , Errors repeated in FE |
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b. 125
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composition: Op. 11, Concerto in E minor, Mvt I
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At the beginning of the bar, there is no category imprint: Interpretations within context; Differences between sources issues: Omission of current key accidentals , Errors of A , FE revisions |
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b. 133
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composition: Op. 11, Concerto in E minor, Mvt I
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The g-e1 minim is devoid of extending dots in Atut. This patent mistake – e1 is, after all, extended to the next bar – was corrected already in FE (→GE,EE). category imprint: Interpretations within context; Differences between sources issues: Rhythmic errors , Errors of A , FE revisions |
(1,2), both sharps raising g1 to g
raising d1 to d
only before the top note of the octave at the beginning of the bar, which was corrected already in