



b. 128-131
|
composition: Op. 43, Tarantella
..
In FC3 (→FE→IE) as well as in our proposed version the slur extends over to b. 131. In A and GE the slur ends before the end of b. 130, while in EE it ends on the third note in RH in b. 131. category imprint: Differences between sources issues: Inaccurate slurs in A |
||||||
b. 128
|
composition: Op. 24 No. 4, Mazurka in B♭ minor
..
The type of accent used by Chopin in A is not quite obvious, yet both its shape and the comparison with analogous bars (120 and 122) clearly point to a long accent. In GE1 (→FE→EE) the accent was omitted and in GE2 (→GE3) a short one was added. category imprint: Graphic ambiguousness; Differences between sources issues: Long accents , Errors in GE |
||||||
b. 128
|
composition: Op. 24 No. 4, Mazurka in B♭ minor
..
The accent mark in A is short, yet it does not differ much from the other two accents in bars 127-128 that are most probably long ones. However, a comparison with analogous bars 120, 122 and 134 convincingly suggests a short accent here. category imprint: Graphic ambiguousness; Differences between sources issues: Long accents |
||||||
b. 128
|
composition: Op. 35, Sonata in B♭ minor, Mvt I
..
The version with e3 present in FE1 (→FE2→EE1) (in both FE without the necessary category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , EE revisions , Accidentals in different octaves , Inaccuracies in FE , Terzverschreibung error , GE revisions , Omission of current key accidentals , Authentic corrections of FE , Inaccuracies in GC , Annotations in FESch |
||||||
b. 128
|
composition: Op. 35, Sonata in B♭ minor, Mvt I
..
GC and FE do not include naturals before the top notes of the last two octaves in the R.H. Chopin's patent inaccuracy was corrected in GE and EE. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Omission of current key accidentals |