



b. 127
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composition: Op. 12, Variations in B♭ major
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Taking into account the similarities between bar 125 and 127, in the main text we indicate staccato articulation for the 1st quaver in the 2nd half of the bar, as the performance markings in these bars either overlap or complement each other. category imprint: Editorial revisions |
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b. 127
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composition: Op. 12, Variations in B♭ major
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On the basis of a comparison with bar 125, we suggest supplementing the pedalling in the main text. category imprint: Editorial revisions |
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b. 127-128
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composition: (Op. 4), Sonata in C minor, Mvt I
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In the main text we add cautionary accidentals – a category imprint: Differences between sources; Editorial revisions issues: EE revisions |
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b. 127-129
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composition: (Op. 4), Sonata in C minor, Mvt I
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In A (→GE→EE1,IE) the naturals restoring g3 in bar 127 and 129 are missing. Both were added by FE and EE2. category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , Omissions to cancel alteration , Errors of A , FE revisions , |
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b. 127
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In the main text we provide the category imprint: Differences between sources issues: Scope of dynamic hairpins , GE revisions |