b. 154
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composition: Op. 21, Concerto in F minor, Mvt I
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The clearly long accent in A was reproduced in GE (→FE) as a short one, whereas EE changed it to a vertical one. category imprint: Differences between sources issues: EE revisions , Inaccuracies in GE |
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b. 154
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composition: Op. 21, Concerto in F minor, Mvt I
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In ½A Chopin would try to avoid writing on the cello stave, as a result of which he wrote both signs before respective bass notes. It also contributed to an earlier placement of the sign, with respect to analogous bar 152, which in GE1 (→FE) was moved even closer to the beginning of the bar. EE and GE2 introduced some changes in the placement of the signs too (GE2 after A). In the main text we give an interpretation of the notation of A compliant with bar 152. category imprint: Graphic ambiguousness; Differences between sources issues: EE revisions , Inaccuracies in GE , GE revisions , Inaccuracies in A |
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b. 154-155
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composition: Op. 21, Concerto in F minor, Mvt I
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In A there is not a single raising d to d. Four out of six necessary signs – only both naturals before d2 were overlooked – were added already in GE1 (→FE), which could have been performed by the reviser. EE and GE2 have the correct text. category imprint: Interpretations within context; Differences between sources issues: EE revisions , GE revisions , Omission of current key accidentals |
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b. 154-155
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composition: Op. 19, Bolero
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category imprint: Differences between sources issues: Annotations in teaching copies , Annotations in FES , Annotations in FEO |
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b. 154
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composition: Op. 11, Concerto in E minor, Mvt I
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The dot extending the e crotchet is not a part of the solo part and is to be applied only when performing the Concerto without accompaniment. category imprint: Source & stylistic information |