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b. 154

composition: Op. 2, Variations, complete

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In A (→GE1→GE2,FE,EE) Chopin overlooked the  raising e1 to e1 in the alternative accompaniment chord, despite it being present in AsI. The accidental was then added only in FESB and GE3.

category imprint: Interpretations within context; Differences between sources

issues: GE revisions , Omission of current key accidentals , Errors of A , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE

b. 155

composition: Op. 43, Tarantella

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We add cautionary  diminishing d1 to d1 in RH. similar addition was made in EE.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions

b. 155

composition: Op. 43, Tarantella

 
 
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In all sources except EE the first beat of the bar in th LH part is a crotchet chord. In EE we find a dotted crotchet her.

category imprint: Differences between sources

issues: EE revisions

b. 155

composition: Op. 43, Tarantella

 
 
 
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In A octave e-e in the second half of bars 151, 155 and 159 in LH is a crotchet without augmentation dots or rests. It seems more correct to complete the rhythm with a rest, as Chopin notated it in corresponding b. 163. Augmentation dots in the discussed bars in FC3 (→FE→IE), GE and EE were most  probably added by the copyist. Compare annotation in b. 4.

category imprint: Interpretations within context; Differences between sources; Editorial revisions

b. 155

composition: Op. 43, Tarantella

 
 
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In EE and GE there is no accent on the second beat of the bar.

category imprint: Differences between sources

issues: Inaccuracies in GE , EE inaccuracies