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b. 121-122
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composition: Op. 25 No 5, Etude in E minor
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The slur of EE is probably authentic, which would support the interpretation of the slur in bars 122-123 as beginning from the 2nd crotchet. However, an editorial revision cannot be entirely excluded here (the same applies to the staccato dot under the bass E at the beginning of bar 122). category imprint: Differences between sources |
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b. 121-123
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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In GC, in the part of the L.H., only the top notes of the octaves were written. The bottom ones were written in an abbreviated manner with the help of the con 8va - - - indication. category imprint: Differences between sources; Source & stylistic information issues: Abbreviated octaves' notation |
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b. 121-123
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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Chopin added the over two-bar-long category imprint: Differences between sources issues: Authentic corrections of FE |
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b. 121-122
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composition: Op. 64 No 3, Waltz in A♭ major
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category imprint: Differences between sources issues: Errors in FE |
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b. 121-122
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composition: Op. 64 No 3, Waltz in A♭ major
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The missing slur in the L.H. in GE is most probably a result of an inaccuracy of the engraver of FE, who overlooked this sign (A is poorly legible in this place due to deletions). In the last proofreading of FE (→EE), the slur was added, probably by Chopin. category imprint: Interpretations within context; Differences between sources issues: Errors in FE , Authentic corrections of FE |
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