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b. 154
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composition: Op. 31, Scherzo in B♭ minor
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The missing category imprint: Differences between sources issues: Errors in FE , Errors in GE , GE revisions , fz – f |
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b. 154-155
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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The slur's division in EE is an inaccuracy which results from bar 155 starting a new line. category imprint: Graphic ambiguousness; Differences between sources issues: EE inaccuracies , Uncertain slur continuation |
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b. 154
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composition: Op. 23, Ballade in G minor
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In A, there is no category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , FE revisions , Inaccuracies in A |
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b. 154
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composition: Op. 23, Ballade in G minor
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In A (→FE), there is no accidental to the last quaver. In this context, it is a patent inaccuracy by Chopin, who would often consider the accidentals defined in the first octave of a scale or passage to be valid in subsequent octaves too (cf. the next bar or, e.g. the Prelude in D minor, Op. 28 No. 24, b. 18). Both GE and EE added a sharp here. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Inaccuracies in A , Errors repeated in FE |
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b. 154-155
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composition: Op. 2, Variations, complete
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In the main text we keep the different staccato markings visible in A – wedges at the beginning of the bar and dots over the chords. In the editions, as in many other places – see, e.g. variation IV or the finale – all markings were reproduced as wedges (however, in b. 153 the dots under the slur remained dots). category imprint: Differences between sources issues: GE revisions , Wedges |
in 
in 
to the bottom note of the octave. Chopin's patent oversight was corrected by 
