|
b. 154-155
|
composition: Op. 39, Scherzo in C♯ minor
..
In #KG, the tie sustaining a flat is only present in bar 155 (in a new line). This was probably the reason why GE1 did not have it at all. The error was corrected in GE2. category imprint: Source & stylistic information issues: Errors in GE , Inaccuracies in GC |
||||||||
|
b. 154
|
composition: Op. 38, Ballade in F major
..
As a result of misinterpretation of the octave sign, GC (→GE) and FE1 erroneously notate the first two semiquavers of the 2nd half of the bar an octave higher – e3-c3 instead of e2-c2. The error was corrected in FE2 (→FE3), most probably by Chopin. category imprint: Interpretations within context; Differences between sources issues: Errors in FE , Authentic corrections of FE , Errors of GC |
||||||||
|
b. 154-156
|
composition: Op. 35, Sonata in B♭ minor, Mvt II
..
The missing staccato dots in FE (→EE) seem to be an oversight of the engraver. The second dot in GC (in bar 156) blends into the category imprint: Differences between sources issues: Errors in FE , Inaccuracies in GE |
||||||||
|
b. 154
|
composition: Op. 35, Sonata in B♭ minor, Mvt II
..
FE1 features C at the beginning of the bar, which is a mistake. category imprint: Interpretations within context; Differences between sources issues: Errors in FE , FE revisions |
||||||||
|
b. 154-158
|
composition: Op. 64 No 2, Waltz in C♯ minor
..
The five-time use of the 1st finger, marked in FES certainly on the basis of Chopin's hint, is included by us in the main text in bars 26-30 (cf. General Editorial Principles, p. 17). category imprint: Differences between sources |
mistake, which explains its absence in 
