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b. 120

composition: Op. 21, Concerto in F minor, Mvt I

..

GE1 (→FE→EE) overlooked the tie of e1, probably due to a misunderstanding of the notation of A. The tie was returned in GE2.

category imprint: Differences between sources

issues: Errors in GE , GE revisions

b. 120

composition: Op. 21, Concerto in F minor, Mvt I

..

Two strokes pencilled into FED below the 3rd semiquaver of the bar are probably meant to make the barely visible ledger lines more distinct.

category imprint: Source & stylistic information

issues: Annotations in teaching copies , Annotations in FED

b. 120

composition: Op. 21, Concerto in F minor, Mvt III

..

In the main text we omit cautionary flats before d2 and d1, unnecessary in this context, written in A and repeated in all editions.

category imprint: Differences between sources

issues: Cautionary accidentals , Last key signature sign

b. 120

composition: Op. 11, Concerto in E minor, Mvt II

Fingering written into FES

Fingering written into FEH

No teaching fingering
..

In FES, Chopin again entered here a fingering given earlier in analogous bar 116. In FEH, the same fingering is marked, although the digits are written next to another set of notes. In accordance with the General Editorial Principles, p. 17, we do not include these indications in the main text.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FES , Annotations in FEH

b. 120-121

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FEH

No fingering in FE (→GE)

Fontana's fingering in EE
..

Full compliance between the indications of EE and FEH may be a result of natural convenience of this fingering.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH