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b. 133-136
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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AI is missing b. 133-136 (as well as preceding b. 105-132) – a counterpart of b. 137 and the continuation of the Mazurka follow after b. 104. In the transcription of AI we provide this final fragment with double numeration, i.e. 105-160, which corresponds to the contents of this autograph, and 137-192, which corresponds to the final version. category imprint: Differences between sources; Source & stylistic information |
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b. 133-138
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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Two or three slurs that originate from the previous bar are continued differently due to the different placement of the slurs concerning the inner voices as well as due to the change of the function of one of the slurs of AF – the slur that began in b. 131 as an alto voice slur and led between this voice and the higher placed soprano voice minims (in our transcription placed under the alto voice) already concerns the entire R.H. part from the 2nd quaver in b. 133. category imprint: Differences between sources |
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b. 133
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composition: Op. 50 No. 3, Mazurka in C♯ minor
category imprint: Differences between sources |
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b. 133
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composition: Op. 2, Variations, complete
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In the main text we supplement the imprecise piece of information concerning the instrumentation – in the sources of the orchestral part, including AsI, the last semiquavers in b. 133 and the topmost voice until the 1st quaver in b. 135 are performed by the oboe, joined by the clarinets (and the bassoon) only just in b. 134. category imprint: Editorial revisions |
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b. 133
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composition: Op. 30 No. 4, Mazurka in C# minor
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Chopin added category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: Errors resulting from corrections , Errors in GE , Authentic corrections of FC |
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