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b. 108

composition: Op. 11, Concerto in E minor, Mvt II

 under rest in FE (→EE,GE1→GE2)

 at end of bar in GE3
..

The mistake in the pedalling markings in the middle of this bar does not have to mean that the last  was also placed by mistake. Although another inaccuracy cannot be excluded, the difference with respect to bar 106 could have been purposeful. Therefore, in the main text we leave the version of the majority of the sources.

category imprint: Differences between sources

issues: GE revisions

b. 108

composition: Op. 16, Rondo in E♭ major

..

All sources are missing the ending of the slur in the R.H. on a new line, in spite of the fact that a correspondingly prolonged slur in the previous bar suggests its continuation. We lead it to the first note in bar 108, to the end of the phrase, like it is in the adjacent bars.

category imprint: Editorial revisions

issues: Inaccuracies in GE , Inaccuracies in FE , EE inaccuracies

b. 108-110

composition: Op. 16, Rondo in E♭ major

Staccato dots in FE (→GE)
..

The missing 3 staccato dots for the bass E in bars 108-110 in EE are probably an oversight of the engraver.

category imprint: Differences between sources

issues: Errors in EE

b. 108-109

composition: Op. 16, Rondo in E♭ major

..

In EE, ritenuto was not divided into syllables.

category imprint: Differences between sources

issues: EE revisions

b. 108-109

composition: Op. 11, Concerto in E minor, Mvt III

Dots on 2nd quavers in FE (→EE,GE1→GE2)

Dots on pairs of quavers in GE3
..

It does not appear that the missing staccato dots over the first chords in these bars could have been attributed to Chopin's inattention. Therefore, the marks added in GE3 most probably do not correspond to his intention.

category imprint: Differences between sources

issues: GE revisions