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b. 108-111

composition: Op. 25 No 5, Etude in E minor

No markings in FC (→GE) & EE

Pedalling in FE

..

The pedalling, present only in FE, could have been added by Chopin in the proofreading of this edition.

category imprint: Differences between sources; Corrections & alterations

issues: Authentic corrections of FE

b. 108

composition: Op. 35, Sonata in B♭ minor, Mvt I

Slur in GC (→GE) & EE2

No slur in FE (→EE1)

..

The slur over the L.H. part, if not overlooked by the engraver of FE (→EE1), could have been added in GC (→GE) by Chopin. The sign was then added in EE2. Similarly in bar 116.

category imprint: Differences between sources

issues: EE revisions , Authentic corrections in GC

b. 108-109

composition: Op. 35, Sonata in B♭ minor, Mvt I

Slur in GC, FE3 (→FE4) & EE

No slur in FE1 (→FE2) & GE

..

It is not certain whether the slur was added by Chopin in GC or overlooked in FE1 (→FE2). Anyways, the Chopinesque proofreading of FE3 (→FE4) and of the base text to EE does not leave any doubts concerning Chopin's intention. Cf. bars 109-110.

category imprint: Differences between sources

issues: Errors in GE , Authentic corrections of FE , Authentic corrections of EE

b. 108

composition: Op. 35, Sonata in B♭ minor, Mvt I

No marking in GC (→GE) & FE (→EE1)

in EE2

..

 is an arbitrary addition of the reviser of EE2.

category imprint: Differences between sources

issues: EE revisions

b. 108-109

composition: Op. 35, Sonata in B♭ minor, Mvt I

d1 tied in GC (→GE) & EE2

d1 repeated in FE (→EE1)

..

In the main text we take into account the tie of the dnote, written in GC (→GE) and probably overlooked in FE (→EE1). The tie was added in EE2 too.

category imprint: Differences between sources

issues: EE revisions