|
b. 133-136
|
composition: Op. 30 No. 4, Mazurka in C# minor
..
The four long accents were added to FC by Chopin. In GE1 the first one was overlooked; it is also absent in GE2, in which the adjacent category imprint: Differences between sources issues: Long accents , Errors in GE , EE inaccuracies |
||||||||
|
b. 134
|
composition: Op. 43, Tarantella
..
In A intitial b category imprint: Differences between sources issues: Inaccurate note pitch in A , Errors of FC |
||||||||
|
b. 134
|
composition: Op. 39, Scherzo in C♯ minor
..
The minim d sharp1 that can be seen in FE1 is definitely erroneous, as we can conclude from the presence of e1 appearing consistently in all the remaining sources and the version of the analogous bar 142. The error was corrected in FE2. category imprint: Differences between sources issues: Errors in FE |
||||||||
|
b. 134-135
|
composition: Op. 39, Scherzo in C♯ minor
..
The omission to tie the crotchet f sharp in EE is probably an error – cf. bars 142-143 and 150-151, in which the note is either tied or absent altogether. category imprint: Differences between sources issues: Errors in EE |
||||||||
|
b. 134
|
composition: Op. 38, Ballade in F major
..
In the 1st R.H. chord, GE1 did not include the cautionary naturals next to a1 and a2 written in A (→EE,GC). The naturals were added in GE2 (→GE3). FE omitted only the bottom category imprint: Differences between sources issues: Inaccuracies in GE , Inaccuracies in FE , GE revisions , Cautionary accidentals |
was removed too. It may mean that there was an attempt to add an accent, which required 
in LH in b. 86 (and in corresponding bars 102 and 134 as in the manuscripts repetitions of this phrase are not written out with notes) is notated slightly two low, so in 
1 in 
.