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b. 108-109
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composition: Op. 11, Concerto in E minor, Mvt III
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Staccato indicated in GE3 for all octaves in the L.H. must be an arbitrary action of the reviser of that edition. category imprint: Differences between sources issues: GE revisions |
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b. 108
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composition: Op. 31, Scherzo in B♭ minor
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In A there are visible traces of a correction of the rhythm of the last two chords in the R.H.: initially, they were provided with the following rhythm: category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A |
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b. 108
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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Just like in b. 16, the missing arpeggio mark in the autographs and in FE (→EE) is probably an inaccuracy of notation. category imprint: Differences between sources |
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b. 108
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composition: Op. 44, Polonaise in F♯ minor
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In the main text we do not include the triplet slur in FE (→EE) – (cf. General Editorial Principles, p. 16), particularly since its authenticity is uncertain. category imprint: Differences between sources issues: Triplet slurs |
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b. 108
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composition: Op. 2, Variations, complete
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The early start to the category imprint: Differences between sources issues: Inaccuracies in GE |
. However, it is uncertain whether the middle note of the last chord was also changed. Admittedly, in the deleted chord a more distinct trace of a note is visible at the pitch of f2, yet a change of rhythm only would not have required any deletion of notes; it would have been enough to blot out the quaver flag.
from 3rd triplet in 