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b. 127-130
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composition: Op. 44, Polonaise in F♯ minor
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In the main text we include the phrase mark of FE (→EE) in b. 127-128, since there are no reasons to doubt its authenticity. Moreover, we suggest adding an analogous phrase mark in the next two bars. In the main text we follow FE (→EE) and suggest the missing phrase marks in square brackets. category imprint: Differences between sources; Editorial revisions issues: Authentic corrections of FE |
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b. 127-130
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composition: Op. 44, Polonaise in F♯ minor
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In the main text we give 10 staccato dots after EE2. Such an articulation is an obvious addition to the articulation of our principal source, i.e. FE, in which the staccato dot over the 2nd crotchet in b. 129 was overlooked. As far as GE are concerned, it seems that both the absence of dots in b. 127-128 and the dot at the beginning of b. 129 resulted from mistakes, i.e. an oversight and a routine addition, respectively. category imprint: Differences between sources issues: EE revisions , Inaccuracies in FE |
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b. 127
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composition: Op. 44, Polonaise in F♯ minor
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In the main text we add the ending of the slur, since in the previous bar its shape in FE suggested that it should be continued. category imprint: Graphic ambiguousness; Editorial revisions |
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b. 127-157
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composition: Op. 44, Polonaise in F♯ minor
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These bars are absent in FE1, since in the only known copy coming from this impression, the leaf containing pages nos. 5-6 is missing (including b. 105-168). category imprint: Source & stylistic information issues: Incomplete sources |
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b. 127-129
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composition: Op. 23, Ballade in G minor
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In A, bars 127 and 129 are written down in an abridged manner as a repetition of the preceding bar. category imprint: Differences between sources; Source & stylistic information issues: Abbreviated notation of A |
