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b. 104-105
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composition: Op. 22, Polonaise
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The missing slur is probably an oversight of the engraver of EE, although one cannot rule out that the slur was added in the penultimate stage of proofreading of FE. category imprint: Differences between sources issues: Errors in EE |
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b. 104
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composition: Op. 50 No. 1, Mazurka in G major
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The category imprint: Differences between sources; Editorial revisions issues: GE revisions , FE revisions , No pedal release mark |
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b. 104-106
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composition: Op. 44, Polonaise in F♯ minor
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In FE the slur at the end of b. 104, which ends the page, indicates that it should be continued in the next bar. It is confirmed by the slur of FE2 in b. 105-106 (in FE1 the page containing those bars is missing); however, in EE the slurs are separated here. A possible explanation for this discrepancy could have been an oversight of the slur in b. 105-106 in FE1 – the engraver of EE1 could have considered the ending of the slur in b. 104 (without a continuation) to be inaccurate and could have shortened it, whereas the reviser added a slur in b. 105-106 later on, adjusting it to the already printed preceding slur. For this reason, we retain the slur in FE1 unfinished in bars 105-106. category imprint: Differences between sources issues: EE revisions |
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b. 104
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composition: Op. 23, Ballade in G minor
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FE (→GE1→GE2) overlooked the category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , GE revisions , Errors repeated in GE |
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b. 104-109
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composition: Op. 2, Variations, complete
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In AsI Var. I is written as a draft, without almost any performance markings. In the discussed bars, the exception is the metronome marking provided at the beginning, category imprint: Differences between sources issues: Metronome tempos |
in 
raising f1 to f
1. The patent mistake of the engraver was corrected by 
=76. We do not comment on the lack of particular markings further on.