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b. 100
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composition: WN 17, Polonaise in B♭ major
category imprint: Differences between sources |
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b. 100
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composition: Op. 42, Waltz in A♭ major
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In FE0 (→FE) there is no quaver rest. Chopin did not add this missing sign in FEG, despite this GE has the correct notation. category imprint: Differences between sources issues: Errors in FE |
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b. 100
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composition: Op. 38, Ballade in F major
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In FE1, the 2nd crotchet in the bottom R.H. voice is printed on the level of c1 but because it has no ledger line it looks like d category imprint: Graphic ambiguousness; Interpretations within context; Differences between sources issues: Errors in FE , Authentic corrections of FE |
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b. 100-101
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composition: Op. 25 No 10, Etude in B minor
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The sotto voce indication was completed in GC and probably in the base text to EE. In GC one can see that Chopin initially wrote a different indication (probably e legato only), to eventually choose e sempre legato. category imprint: Differences between sources |
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b. 100-107
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composition: Op. 25 No 5, Etude in E minor
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Chopin added the pedalling in bars 100-101 and 105-107 probably in the proofreading of FE (similarly in bars 108-111). This kind of evident additions were performed by the composer in, e.g., the Etude in A minor, No. 5, bars 54 and 58-61. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
1 in 
1. The omitted line was already added in 
