



b. 100
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composition: Op. 11, Concerto in E minor, Mvt II
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Leading the dashes marking the range of smorz. only to the 2nd beat of the bar must be considered an inaccuracy – the indication is almost certainly to be valid until rallent. – just like in GE – or until the end of the bar, which we suggest in the main text. category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 100
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composition: Op. 11, Concerto in E minor, Mvt III
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The missing staccato dots in the R.H. part in GE1 (→GE2) are a patent oversight of the engraver, completed in GE3. It is probably the response of oversight of dots, which occurred in FE in the next bar – in both editions, dots were overlooked in the bar ending a line of text (101 in FE, 100 in GE). category imprint: Differences between sources issues: Errors in GE |
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b. 100-103
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composition: Op. 11, Concerto in E minor, Mvt III
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In GE3, all semiquavers were provided with staccato dots. It is a part of a large-scale arbitrary revision of performance indications in this Tutti. Similarly in bars 328-331. category imprint: Differences between sources issues: GE revisions |
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b. 100-101
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composition: Op. 31, Scherzo in B♭ minor
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The tie of a category imprint: Differences between sources issues: EE revisions |
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b. 100
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composition: Op. 22, Andante spianato
category imprint: Differences between sources issues: GE revisions |