



b. 100-102
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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The size of the accents on the 3rd beat of bars 100 and 102 is much larger in A than typical short accents. However, their shape is not the one typical for long accents. A comparison with earlier appearances of that phrase suggests that those accents should be considered short ones, and this is how they were interpreted in GE (→FE→EE). category imprint: Graphic ambiguousness issues: Long accents |
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b. 100-102
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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We consider the absence of staccato dots under the bass notes A (→GE1→FE→EE) to be Chopin's oversight. These dots were already added in GE2 (→GE3). category imprint: Interpretations within context; Differences between sources issues: GE revisions |
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b. 100
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composition: Op. 39, Scherzo in C♯ minor
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GC has the chord e2-g sharp2-a2-c sharp3 here. The error was corrected in GE. Gutmann made an identical mistake in bar 91. category imprint: Source & stylistic information issues: GE revisions , Errors of GC |
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b. 100
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composition: Op. 39, Scherzo in C♯ minor
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The lower note of the last octave in the L.H. is written too low in GC, looking almost like F sharp. category imprint: Source & stylistic information issues: Inaccuracies in GC |
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b. 100
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composition: WN 17, Polonaise in B♭ major
category imprint: Differences between sources |